Prism – how can Australian feature production emerge from its Vale of Tears?

First tool to advance the frustrated Australian feature sector is clear thinking, backed by co-operation. Here's a good start.
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Image: Strange Colours, directed by Alena Lodkina, written by Alena Lodkina and Isaac Wall, produced by Isaac Wall and Kate Laurie, distributed by Bonsai Films

At SPAA’s annual thinktank event, Prism, key representatives of the film sector faced each other around a spotlit table on a raised platform at the centre of Studio Four at Fox Studios on Wednesday 25 July. 

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David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.