Scoring a role: how do you compose music for games? Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Small Screen Highlights: Backtrack Boys, Content and Dark Souls 3 On our radar this week: a feelgood doco, new format web series, quality chitchat podcasts and a really hard game. ABC Drama to Unravel Australia's Atomic Past Production is underway on a six-part series about this very tricky time in our history, written and directed by Rake's Peter Duncan. TV Review: Ramy is must-see TV Five months after its US premiere, Ramy – 'the best show not on Australian television' in Chris Boyd’s rarely humble opinion – drops on STAN this week. Tubby the Robot - destroyer of depression (locked) 'Happy Android - a robot saved my life' is on the ABC via Compass. The filmmaker Jaina Kalifa is as much fun as its lead character, Tubby the Robot. (Premium content) Premium content Jini Maxwell Thursday 29 August, 2019 Videogames offer many opportunities for audio experts, but how do you crack into this evolving industry? Here are our 6 key steps to get you started. This content is only available to members of screenhub Join Now for instant access! A subscription to screenhub will enable you to: Access the most comprehensive jobs board for the screen sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian screen community today High Score 2019: Sound Art and Composition is the first event of Melbourne International Games Week. Member login Email address Password Forgot password? About the author Jini Maxwell is a writer, poet and editor based in Narrm. They edit quarterly literary journal The Lifted Brow, and previously directed National Young Writers Festival. Both their poetry and prose engage with play, creative labour, and queerness. They have contributed critical writing to Screen Education, The Saturday Paper, ACCA online, Melbourne Knowledge Week's Stories platform, The Lifted Brow, and Melbourne Recital Centre's soundescapes. Their poetry has recently been published in Cordite Poetry Review, SCUM MAG, and Overland Journal. In 2018, they were one of three Emerging Critics in Residence at the Melbourne Recital Centre.