Screen Australia: change and not-change in the documentary debate

The funding tactics have changed in the evolving documentary guidelines, but the internal logic remains remarkably stable.
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This is Grace McKenzie, daughter of Brian, herself now an Australian documentary filmmaker. Her film is called Audrey of the Alps and follows a Frenchwoman, Audrey, as she herds goats in the French Alps. Two years later, Grace is back, riding a bicycle through France. Grace’s generation is inheriting a documentary practice which is shaped by decisions made far away, in the discussions about Screen Australia guidelines.

The various versions of the guidelines which Screen Australia  has generated in its long discussion with the sector seem very different.  But, when I interviewed CEO Graeme Mason about the details of the changes, we came quickly back to basic principles.  Here, it turns out that the agency has been pretty tenacious.

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David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.