Search News

See all news
Features

MIPCOM 2013: the Australian productions about Gallipoli

The trenches are going to get crowded as the centenary of Gallipoli approaches. Ratings could get very strange if the…

Features

MIPCOM 2013: Matchbox in a nutshell through international eyes

Two years after NBCUniversal International acquired most of Matchbox, Chris Oliver-Taylor contemplates the slate, the role of Screen Australia in…

Features

MIPCOM 013: too hard to resist celebrity journalism

Focused though he is on deals and financial trends, László Kriston has to admit that some conversations with celebrities do…

Features

MIPJunior 2013: Aussie kids fare growing like Topsy

Our correspondent László Kriston limbers up for MIPCOM by working through the antipodean offerings at MIPJunior. He sees a particularly…

Features

MIPJunior 2013: hearts, smarts and farts

Picture a bunch of execs talking about making children laugh. Picture our correspondent László Kriston keeping a straight face as…

Features

MIPJunior 2013: your youngest VOD-consumers are 15 months old, but the parents pay for the content

The ubiquity of television even in a baby’s life is overwhelming. Before they can talk, infants are habitually tapping the…

Features

MIPCOM 2013: weekly bidding wars, fueled by Foxtel and Aussie digi channels, fattens Zodiak’s bottom

One would think that the Aussie TV sector is small in size and purchase power, but that is not the…

Features

Playpen: the art of memory

Using my phone and computer to record and find, I feel as if my mind is forgetting how to remember,…

Features

Cannes 2013: financing trends and realities, part two

"Film has become a place where capital meets opportunity... What’s harder for us is financing vehicles that are very dependent…

Features

Cannes 2013: challenges in film financing, part one

Why are mid-range films being burnt out of the market? 'Risk to reward ratio' say the bankers who control the…

1 2 3 4 7