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Open access model has lead to SALA’s success

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South Australia’s festival for the visual arts has grown exponentially through its democratic model of inclusion and celebration of living practitioners.

Clare Belfrage (from left to right), Segment #15, 2006, Leaf Circuitry, 2008, Passage #41, 2007, Passage #44 ,2007, Skin Deep, Orange and Pink, 2017, In Sight, Green, 2016, Segment #22, 2006, Petal, 2008, Passage #45, 2008, blown glass with cane drawing, cold worked, dimensions variable; Gift of Joan Lyons, David and Pam McKee and Diana McLaurin through the Art Gallery of South Australia Foundation 2017, © Clare Belfrage. Photo: Saul Steed

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