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On 9 December, ArtsHub will bring the arts sector together in an event to mark the end of one of the strangest years in our 20 year history.
Powerhouse Parramatta one step closer, SA Premier announces arts recovery fund, matched funding opportunity, MPavilion program announced, plus the latest festival news, program announcement and opportunities.
Having arts festival withdrawals? DESIGN Canberra is offering over 200 events, from open studios and exhibitions to walking tours, putting human connection back into creativity.
The Australia Council’s First Nations music survey looks at the strengths, challenges and needs of the sector for future growth, independence and respect.
Artists of Colour Scholarship, COVID emotions hotline turned to music, symphony returns to park, Melbourne comes alive with the work of artists, and more.
Queensland Theatre is rehearsing its first production since March, while plans for the latest Queensland Cabaret Festival and a new Fringe Festival in bayside Brisbane have also been announced.
$2.8M boost for Melbourne recovery, RACV takes art collection online for the first time, Adelaide Fringe Festival registrations open, queer art exhibition for a WA institution, plus more news.
In the latest ArtsHubbub we look at the ways in which giving is supported in the arts. We speak with a longtime Perth Festival volunteer, the CEO of philanthropy organisation Creative Partnerships Australia, and other guests about the importance of giving back to the arts.
$49M to Indigenous arts, Euro Master from Met for Brissy, great results for DAAF, Artstate and Tarnanthi both announce programs, major public sculpture for Sydney, ACO back in theatre, plus more arts news and opportunities.
The homegrown Darwin Festival 2020 created a palpable sense of community despite adhering to social distancing guidelines.
More money for ACT artists, curatorial assistant program, Doug Aitken commission for TAS, design takes centre stage at Powerhouse, Crime Writers Festival, MTC cancels season, and more arts news and opportunities.
Carriageworks saved, thanks to a 20-year lease agreement and guaranteed annual funding - two necessities it has battled since opening in 2007, the lack of which forced it into administration.
Largest Tiwi exhibition ever; landmark public sculpture for Sydney; Melbourne in lockdown; Palace Letters released; Darwin Festival homegrown program, and more artist opportunities and news.
A new UniSA study, prepared in conjunction with Arts SA and Adelaide Festival Centre, indicates South Australia’s festival sector has a key role to play in reviving the State’s tourism.
Working with 87 artists during the pandemic and remote lockdowns, Tarnanthi continues to be innovative, and in a first, throws the spotlight on the work of women Aboriginal artists.
National Young Writers Festival is going online from 1-4 October, and their program delves deep into the possibilities that digital delivery offers.
The 2020 Brisbane Festival aims to 'surprise and delight' its audience, says Artistic Director Louise Bezzina.
Defying COVID-19, the chair of Wangaratta Jazz Festival says National Jazz Awards, held as part of the festival, offer a creative outlet and opportunity for artists during a year of unpredictability.
From around the country, artists and arts workers reflect on why the post-pandemic world will need art more than ever.
Anniversaries are moments for great celebration – especially when an arts company survives into the double digits – but the pandemic has forced doors closed, and new ways of marking the milestones.
Agility, adaptability and upskilling are all part of the process, but gifs are important too. Lessons learned from Melbourne Fringe's first foray into presenting a festival digitally.
Solvency records show that the inaugural Biennale of Australian Art (BOAA) still owes around $350,000 to artists and vendors, while its Director moves on to open a new gallery.
In the coronavirus crisis there have been calls from all sides to 'save the arts', but we should also ask what sort of arts industry we want to save.
Despite all Arts Ministers meeting yesterday, Queensland has been the only state to step up with a stimulus package in the awake of Coronavirus' decimation of the sector.
While attending Adelaide Festival, Jared Thomas saw something that made him question years of racism and set him on the path to becoming a writer.
Responding to a recent review, Cementa19 make the point, that like all good art, a festival should make you uncomfortable, awkward, challenged, and aware of the social reality in which you play.
More Opinions & Analysis
Rich in symbolism, doom and hope, you live through the cycle of life and death at the hands of Romeo Castellucci in his rethink of Mozart’s iconic Requiem.
Science fiction meets introspection in Passionate Machine.
A one-man show about loneliness, longing, and social media-enhanced isolation, and a dance theatre piece exploring call-out culture through a comic book lens.
Featuring works by a range of artists, A Forest is like a giant crumbling 21st century haunted house for adults.
This immersive sound installation in the depths of the Tasmanian bush is deceptively simple yet strikingly profound.
After epic weekends in the North West and the North East, the festival's final weekend reaches Hobart and the South.
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