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This clever coven of Australian filmmakers knows spooky, scary and stylish when they see it. Briony Kidd, Isabel Peppard, Donna McRae, Katrina Irawati Graham and Megan Riakos send us their recommendations.
The pandemic experience shows we can’t afford to ignore this problem any longer, argues multimedia producer Mary Tran. She offers ideas for change, in this piece supported by Diversity in Australian Media.
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Learn how you can hone your business skills to be part of the next generation of screen leaders with a Masters at AFTRS.
Announced in a virtual ceremony, the director's awards celebrated achievements of diverse newcomers and established talent in a year of much change.
Cry, laugh, fight, keep going. It's hard to know where to start, but Bluey will do. Queensland is the centre of the universe in this roundup of policy, production, awards and opportunities.
The industry needs to get comfortable with having uncomfortable conversations around race, says young Chinese-Australian producer Annie Thiele, offering suggestions for positive change.
Perth's arts and business communities have welcomed the recent announcement that Edith Cowan University, including WAAPA, will relocate to a new home in the CBD.
Virtual production is an amazing toy for the big end of production, but a panel at Screen Makers sees wider opportunities.
Kalu Oji gives the perspective of an African-Australian film school graduate.
Ten ways to be part of the future. Because the COVID hiatus will be history.
A life in the screen sector is a passion which challenges people to a lifetime of learning and growth.
Neil Goss is running his teen flick in some local cinemas between a brief outing in LA and plans for a longer run in the US.
Decades of experience and campaigning has gone into learning just how the arts community can create important (and unique) work with people with disabilities.
The film, television and animation courses at Deakin create work-ready graduates supported by industry partnerships and the latest technology. With 40-years experience in remote and online learning, Deakin tailors to the needs of individual students.
Film students across Australia have been struggling to make films while locked down in isolation. The lucky ones are living with actors. QUT noticed that this is a moment in history, and went meta-doc on the times.
Free diving, performative eating, vagina power and the horrors of internet stardom—all the winners at the virtual edition of the Sydney Film Festival are touched by the social web.
Gut Feeling, a multi-award-winning Australian web series, has launched the career of AFTRS alumna Hattie Archibald. She tells us how the journey unfolded.
An interview with the award-winning filmmaker about his very personal project. Part cooking show, documentary series and performance art, it defies genres.
Designers for the screen can have an anxious but ultimately satisfying time. This is what it looks like from the inside.
See-Saw has some sort of magic juice which keeps it getting better and better. It turns out to be made of idealism, common sense, good people choices and the pleasure of running a company.
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