It is uncool to accidentally lock an actor inside a location overnight. It is ore uncool if his mobile phone is in the trailer. But it is terminally uncool when that actor is Michael Caine.
Our very own Tweetie-pie Rupert is assailed on all sides by rozzers from the Met, though he floats above it all like a barrage balloon in a burning city. Crikey points out that phone hacking is the least of his worries.
Goalpost Pictures, Joel Edgerton, Matthew Saville, international finance, an October shooting date - the Cannes announcement sets up an intriguing mainstream film.
Working on Indigenous productions is a privilege for non-Indigenous filmmakers, and can be a powerful, illuminating experience. Patricia Edgar remembers the production of Yolgnu Boy, through which she met Gulumbu Yunupingu, who died last week.
For two years now, Victoria University’s Sir Zelman Cowen Centre has offered some highly successful executive producing courses in both Sydney and Melbourne, outputting a bevy of graduates who have done great things within film and television. So who should attend this course, and why? We asked course director Pamela Wilson-Endrina.
Cutting edge fiction from Holland to Japan, inspired by real life, theatre, reality shows, interactions with the audience, and the simple density of a novel - these are some of the freshest approaches to drama on television.
John Duigan, the writer/director behind Flirting and The Year My Voice Broke continues studying the marginalised in society with his new film, Careless Love, the story of a university student and prostitute in Sydney.
Very early evening sauciness beats later violence as an American high concept fantasy leads the way for Seven on 1.35m. Ten maxed out with Bikie Wars at 1.261m, to give it only third place for the night.
Who knows if this is a good idea... "A crackdown on planning and performance measures in Australia’s national cultural agencies has been announced By the Minister for the Arts, Simon Crean."
Back with a new production, to start next year, through Wolfhound Pictures` Patrick McDonald and Blacklab Entertainment`s Tim McGahan, with international rights now bought by Arclight. Also here.
Minister for Innovation, Services and Small Business Louise Asher announced today that three of the world s most influential games developers will headline a games symposium for Australian games developers in June 2012.
"Created through a collaboration between Fairfax Community Newspapers, TVS and the University of Western Sydney, the show started screening last year..." That is a clever connection.