It is uncool to accidentally lock an actor inside a location overnight. It is ore uncool if his mobile phone is in the trailer. But it is terminally uncool when that actor is Michael Caine.
Working on Indigenous productions is a privilege for non-Indigenous filmmakers, and can be a powerful, illuminating experience. Patricia Edgar remembers the production of Yolgnu Boy, through which she met Gulumbu Yunupingu, who died last week.
John Duigan, the writer/director behind Flirting and The Year My Voice Broke continues studying the marginalised in society with his new film, Careless Love, the story of a university student and prostitute in Sydney.
The publicity for The Hunter, a sand animation by writer/director Marieka Walsh and producer Donna Chang contains some mindboggling figures about the production.
Stephen Wallace is a modest man, with a quiet role as historian of the Australian Directors` Guild. Here is the short account he penned for the 30th Anniversary celebrations. We hear he is doing more, and we are fascinated....
The British Council Realise Your Dream competition transports Australian creatives on a reverse journey back to the Old Dart, with $10,000 and appointments to see useful mentors. A decade of industry people have benefited.
If organising writers is like herding cats, managing directors is like getting bears to dance in unison. The Australian Directors` Guild honoured itself for thirty years of a pretty tough act which has shaped the industry and renewed its fighting spirit.
This is a passionate argument for the cultural and economic benefits of a film industry. The odd thing is that this is someone from Ghana writing, and the benefits being referred to are Nigeria`s. A nice piece of cultural relativism for our jaded lobbyists.
On the twentieth anniversary of the historic Mabo decision, the feature film based on the life of Eddie Mabo will premiere at the Sydney Film Festival.
Two Australian feature films have made it into official competition at this year`s Sydney Film Festival, Dead Europe directed by Tony Krawitz and Lore directed by Cate Shortland. Lore is a co-production between Porchlight Films (Liz Watts) and Rohfilm (Benny Drechsel), while Dead Europe is produced by Liz Watts, Emile Sherman and Iain Canning.
Jeff Malmberg documents an alcholic down and out who was violently assaulted, completely lost his memory, and came back as an artist with a doll village.
There`s some scathing and well-informed criticism of Village Roadshow over it`s decision to dump Joss Whedon`s Cabin In The Woods to DVD - when it would get its cinema release straight after The Avengers, which he also directed.
As the concentrated essence of production nerdery, we at Screen Hub believe we have the right to claim that this one collection of pictures defines the national significance of our collective screen vision. So there.
“Universal Pictures: Celebrating 100 Years,” is a retrospective being run by the UCLA Film & Television Archive, spanning the silent era to the almost-present.
INSIDE OUT/OUTSIDE IN is an intensive three day workshop on the strategy, creativity and craft of developing compelling feature films. A lot of bureaucratic knitting has gone into making this the real deal, as Screen NSW, Screen Australia, Vivid Sydney, and the Sydney Film Festival bring in a pair of serious LA players.