Reports have started appearing on the net that Clive Owen has signed on for the upcoming 'Feathermen' movie (aka. The Killer Elite). With Owen and Jason Statham now on board, Melbourne crews could soon be busy, and maybe a little starstruck.
Melissa Kelly is a very busy producer. She has a film in post, two in development, a busy TVC business and two kids aged three and six months. 'Blame', her first feature as a producer, was co-produced with husband Ryan Hodgson, and Michael Robinson. It has just entered post after shooting for four week, mainly in a house in the Roleystone area of the Perth hills.
Daniel Joseph Borgman, director of the first Danish-NZ co-production, has been accepted into the The Résidence du Festival, a development program with the Cannes Film Festival. 'The Weight of Elephants' tells the story of a teenage paperboy who witnesses a horrific murder.
The NZFC invests far less in women writers and directors than in men. What might the NZFC Escalator/Te Whakapiki initiative do, to ensure that women participate strongly? Could the Swedish model work here, guaranteeing that women receive 40% of the funds available?
"It’s no good just doing remakes of the Tooth Fairy, even though that’s valid in its own right as a money-making tool. You need something else. And it’s this “something else” that’s important."
The Australian Film Television and Radio School popped a question that makes the screen sector mumble and look at its collective feet. Why doesn’t Australia make Romantic Comedies? Rachael Turk watches a certain determination to not get personal...
Faraway Bay, famed Kimberley resort and location, may be mystically fertile (just ask Nicole) but it hasn't been a fountain of youth for its aging owners. So, they are moving on. In revenge, it will be bought by a consortium of whale hunters and strip mined for iron ore to be used only for harpoon tips.
Move to Los Angeles, get the career choofing, spend too long in traffic, decide to make an indy feature - the story of Michael Bond, Cameron Daddo, László Baranyai and a carload of invisible ninja crew on the freeway is truly wonderful.
Unable to commercialise amateur 8mm footage of Marilyn Monroe on the set of The Misfits, the Australian owner will sell it online, using a site run by a man called Pike Barkerding. It is a tad poignant, if a bit pink.
Married couple who edited The Hurt Locker are interviewed - "Your mind and your mouth just disconnect at that moment. It feels like centuries are passing."
Rani Mukherjee is one of the biggest stars in world cinema, but few people in Australia know she exists, and the media is seemingly uninterested in her arrival this week to open Bollywood and Beyond, the Indian Film Festival for 2010.
Are indy dox just the blogosphere with pictures and smeary-bois with deeper poketz? WaPo, no innocent in the bias game either, raises an interesting case study about objectivity, collapsed journalistic standards, and an outraged nice-guy foundation with furry feet and big, dewy eyes.