Wellington is about to erect a 28m by 3.5m sign on a hill - WELLYWOOD. Sadly, it is not a homage to the local boot industry, but an embarrassing genuflection to a terrible pun about cinema. We think they should have gone for THE SHIRE.
For the fifth time, Weta Digital's Joe Letteri will be leaving LA with a lethal weapon in his luggage. The gold statuette, this time for Avatar, was won alongside Stephen Rosenbaum, Richard Baneham and Andrew Jones and adds to an impressive collection.
With films like Valentine's Day and It's Complicated charming the box office, and a soggy history of cheery love in the Australian cinema, the Australian Film Television and Radio School provided an emergency box of ideas in a week-long course on creating the Romantic Comedy.
Avatar lined up against the usual suspects for a number of awards today, with a number of other films with a Kiwi interest also in the running for statuettes.
After the Mary and Max and Samson & Delilah moments of gross injustice, the focus on the golden man is subdued for us this year. So far, it hasn't got any better..
Why would you refuse to show a film in Indonesia on the grounds that showing it might damage Indonesia's reputation outside the country? Jakarta chapter of the Alliance of Independent Journalists is suing the Indonesian Censorship Institute.
The Film Archive (NZFA) despatched staff to Auckland yesterday to talk about changes to procedures for access to material in the NZFA collection, and particularly the new charging regime for NZFA services. The free wine and nibbles tempted an audience of around 30, mostly production and research personnel.
The film that will not die, even if half its cast does, continues to dominate, slipping past $16 million and still screening on more screens than anything else. By comparison, The Lovely Bones (a Kiwi take on an American loss) and Invictus (an American take on a Kiwi loss) both look as though they'll bottom out in the region of $3.5 million.
Up front fees for stars in Hollywood have been clobbered because the under 30 audience doesn't care about star power. Older audiences who do have been nixed by the economy and are staying home. (Might have something to do with the rise of teccy-speccy as the drawwing power too).
Puttnam, redoubtable and leonine producer and British eminence-grise, has been hammering the UK government's Digital Economy bill, allegedly bullied forward by copyright holders. That's a very interesting development.
Hoyts is back on the sale block, with Pacific Equity Partners preparing to sell. PEP bought it from WAN and PBL three years ago. It comes with an exciting amount of debt (gotta love private equity) and some very confused employees.