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Showing all news in Latest News
Trying to build a career? Creative but too smart to try being a key creative? Just want to be vital to the sector? Here you go...
Not the best indy numbers but there's some ace films in the cinemas beyond the Star Wars queue.
It's now a muscled-up traditional studio v the new tech companies in a struggle for world domination as Disney takes on Netflix, Amazon and Google after absorbing the Murdoch empire.
When are the key award films coming our way? It is a peculiar summer.
Mandate a code of conduct or lose funding, says Screen Australia. A beginning, but there's more to be done, says writer Sophie Mathisen.
Bryan Neathaway Brown, producer and actor, stalwart of Aust, has been given an honorary doctorate. His speech is pretty wonderful.
After 25 years, RealTime is calling it a day, but not before celebrating its significant archive of reviews, interviews and other documentation of the sector.
Can the Ozzies succeed where the AACTAs get tangled up? Can nimble work for the Indy Underscape? Ozflix is giving it a go.
Both short film winners at the AACTAs are in serious contention for an Oscar, though only the actors hit the feature headlines.
There's good in the House of Reps report into the sector, and even a bit of new money, but there is also one big fat mistake.
The AACTAs from inside the room, among friends and hopefuls.
Bad headline but chilling data as Hollywood faces the Australian problem of deliberately making films for international consumption.
We are supposed to jingle our bells and go mainstream. Instead we seek out the scraps to keep the arthouse spirit alive.
AACTAs celebrate creativity with a ritual which is just the opposite, trapped in thanks and soppy adjectives. Beyond the hype, the awards went to fine achievements.
You are the Chief Financial Officer of a huge animation company, betting hundreds of millions at the whim of artists. How do you cope?
Our language tells us a lot about who we are: our confidence, our embrace of trends, our professionalism and our priorities. So what did 2017 say?
Australia is absent and the AACTAs won't help a reboot. Watch The Disaster Artist take off.
Lion gets everything not nailed down. Hopes for the modest films coming through in the technical awards boiled down to one for Ali's Wedding.
No-one even cares about the world's deadliest weather.
Diversity, class, justice and income - the raw materials for social ideas which may save creativity in hard times. UK expert Deborah Williams talked to Australian screen producers.
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