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Showing all Film news
We salute Melbourne artist and filmmaker Tony Woods, who died unexpectedly last week.
The shortlist for the 50th Annual AWGIE Awards features nominees across 19 categories, including feature film, television, theatre and interactive media.
Ali's Wedding and Roller Dreams take top slots in the audience awards. Both local, both with strong cultural references beyond our borders.
We all want diverse stories to fit a diverse country. This is what we actually mean.
Right now some key US studios are on their knees thanking the international market. Their domestic response is positively mummified.
Purcell, Igwabi, Agdag, Epstein, Stolevski, Baricevic.. gone is the great avalanche of Anglo-Celtic names which rolled through an industry generation.
Icon versus bureaucracy? The inevitable passage of time and tide? Paul Harris, Triple R and his loyal listeners face the end of an institution.
Wonder Woman has the world by the throat, Baywatch is an embarrassment, and Hounds of Love seems to survive on word of mouth.
63 people who have given tireless support to the arts were recognised in the Queen's Birthday Honours this year.
New Musical Director for touring company Co-Opera and changes at Screen Queensland.
Richard Tognetti and Jennifer Peedom collaborate on unique concerts and a landmark documentary.
A personal, illuminating portrait of a star struggling to reconcile living her dream existence and being herself.
Warwick Thorton's We Don't Need a Map is really something - a major essay film that is funny and fresh and unpretentious.
Hounds of Love panting along, but not picking up a pack.
A superhero origin story infused with the spirit of feminist adventure, and told with smarts, heart, and a different point-of-view
In from day one, producer Melissa Kelly describes how Hounds of Love evolved and honoured its original vision. Will it stand the test of time?
While striving improve and satirise its inspiration, this cheesy TV-to-film effort layers one kind silliness on top of another.
Ruben Östlund, who won the Palm d'Or at Cannes this year, has a fascinating way of working with actors.
An impassioned exploration of capitalism versus community.
A gentle Irish comedy with a warm heart and something to say.
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