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All over Australia, all over the industry, all over the age groups, sexes, aspirations and wider politics, the industry is on a campaigning roll.
'Some of the most damaging ideologies that exist are the ones that uphold the complete eradication of our history, of our culture...
The UK industry is slowly working out the possible impiications of Brexit, with one useful piece of reassurance.
While Ali's Wedding holds its own, I am Not Your Negro deserves a better audience.
Fifield fends off worrying allegations about ABC as the fight for Ten rises to a frenzy. Its a busy week in media politics.
Warwick Thornton's Sweet Country takes key award at 2017 Toronto Film Festival.
Nine cracks another two percent stolen directly from Seven as The Block climbs and First Dates drops 150,000.
If we want good arts journalism it may just be up to us as content consumers, not because of cuts and a devaluing by the media giants.
Opinions & Analysis
A Bond and Bourne wannabe that’s content with being generic.
It is rare to find a production model which genuinely reduces risk. Here is one, working quietly in the shadows, which makes a strictly logical use of prayer.
Parliamentary fun as the government enacts historic changes to deregulate media ownership.
The Make it Australian campaign is poised to launch as the turmoil grows.
With the recent release of two feature films about Australian artists, we take a look at the hidden agendas and the broader context.
Most important this week? Monday's massive Austra-wide meet to kick off the campaign to protect TV quotas and therefore jobs. Plus lots of cinema fun.
Arriflex turns a hundred and unveils a huge collection of wonderful interviews with cinematographers.
Ali's Wedding fights on, That's Not Me puts a paw on the canvas, with the Namatjira Project not really on the card.
As news of Cris Jones' unexpected death spreads, his colleagues face the reality of the loss.
Most titles on the SPA nominations list for its awards this year are firmly local - but the high budget mass audience shows are owned overseas.
221 projects have been supported financially to the tune of $6.1 million, with 35% first-time applicants.
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