Writing for the boxed set Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Make It Australian - fire, passion and good humour All over Australia, all over the industry, all over the age groups, sexes, aspirations and wider politics, the industry is on a campaigning roll. Brexit - broadcasters to abandon UK? The UK industry is slowly working out the possible impiications of Brexit, with one useful piece of reassurance. National Ratings from Sunday 17 September 2017 - Tuesday update Nine cracks another two percent stolen directly from Seven as The Block climbs and First Dates drops 150,000. FremantleMedia snaps up Essential drama (locked) Another Australian production entity is sold to an international multinational production house with an emphasis on the global stage. (Premium content) Premium content Madeleine Oliver Monday 26 October, 2015 Television writing is sometimes seen as a poor cousin to book writing. But the present surge in televisual storytelling makes it a potentially profitable alternative. This content is only available to members of ScreenHub Subscribe Now for instant access! A subscription to ScreenHub will enable you to: Access the most comprehensive jobs board for the screen sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of subscriber-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder in the Film and Television industry ... and much, much more. Subscribe Now and join the Australian screen community today Member login Email address Password Forgot password? About the author Madeleine Oliver is a writer and principal of Dark and Stormy Night which provides storytelling services and writing & editing classes.