Writing for the boxed set Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Romper Stomper - an unfinished moral tale Will the new version of Romper Stomper provoke moral outrage? We don't know yet, but we can interview the man behind the original idea. To those we lost in 2017, vale (locked) We salute the lives and careers of the artists, performers and patrons who took their final curtain call in 2017. Disney sics mouseketeers onto world as Murdochs retreat to Fox den It's now a muscled-up traditional studio v the new tech companies in a struggle for world domination as Disney takes on Netflix, Amazon and Google after absorbing the Murdoch empire. Romper Stomper A disquieting television reprisal that has life imitating art imitating life in a story of modern identity, anger and fear. (Premium content) Premium content Madeleine Oliver Monday 26 October, 2015 Television writing is sometimes seen as a poor cousin to book writing. But the present surge in televisual storytelling makes it a potentially profitable alternative. This content is only available to members of ScreenHub Subscribe Now for instant access! A subscription to ScreenHub will enable you to: Access the most comprehensive jobs board for the screen sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of subscriber-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder in the Film and Television industry ... and much, much more. Subscribe Now and join the Australian screen community today Member login Email address Password Forgot password? About the author Madeleine Oliver is a writer and principal of Dark and Stormy Night which provides storytelling services and writing & editing classes.